Tag: Cre8tiveSHFT

  • A Darkness in the Woods

    A Darkness in the Woods

    Written By Cara Linder

    Far out in the country, there was a small town nestled between dense, sprawling forests. The town was known for its tranquility, and the residents felt safe enough to leave their doors unlocked at night and allow their children to play outside until dark. At night when they looked up the sky was covered in stars. But beneath the peaceful exterior of the town lurked a dark and malevolent force, unbeknownst to the townfolk, waiting to claim its next unsuspecting victim.

    One summer evening, two middle-school friends, Tim and Cassy, decided to take their bikes out for a ride.

    “I bet you can’t keep up!”

    “Hey you’re the one who can’t keep up!”

    They raced down the street past each other, faster, and faster. Tim was just about to pass the street light when he looked at the trees, spotting something move in the woods. Suddenly he lost control of his bike and was flung over the handlebars.

    “Tim!”

    Cassy hopped off her bike, and rushed to his aid.

    “Are you okay?”

    Time groaned and rolled over.

    “I think my arm’s broke.”

    They got up to walk Tim home, but he couldn’t shake the feeling that he had seen something lurking in the words, but he shrugged it off as just his imagination.

    Yet, in the distance a shadow moved through the trees.

    Tim went to the doctor and discovered that his arm was broken and received a cast for his arm. All the other kids signed it the next day and he felt a sense of relief that his injury wasn’t more severe. But that relief was short-lived, as the shadow in the woods continued to haunt his thoughts.

    Tim was riding his skateboard when Cassy walked up to him.

    “How’s your arm?” Tim smiled at her. “Great, everyone signed it!”

    Cassy, eager to get back to their normal routine, suggested they go on an adventure.

    “Since you’re doing so good, do you wanna go to the creek in the woods?”

    Tim’s smile quickly faded. “I don’t know Cassy. I thought I saw something in there that night and it just doesn’t…” “Aw c’mon Timothy, don’t be a wuss.”

    Tim crunched up his face. Despite his apprehension, Tim reluctantly agreed.

    “Alright, fine.”

    They made their way down the path toward the creek. It was about 100 feet away from the start of the path. As they reached the creek, they jumped over rocks looking for frogs. Tim was careful with his cast, but he wasn’t letting it stop him from having some fun. Shadows started to creep through the trees. Tim looked up at the sky, he realized the sun was about to set and an eerie feeling overcame him.

    The shadows seemed to grow longer and more menacing, but Tim tried to push his fears aside and enjoy the moment with his friend. As the sun began to set, Tim grew increasingly nervous and insisted they head home.

    “Hey Cassy, I think we should go home now.”

    Cassy, ignoring him, jumped onto another rock. “What! But we’re having so much fun!” “It’s getting dark. I want to go home.”

    She finally turned to him.

    “Don’t be such a baby. We’ve been out later than this before.” Tim looked around nervously. He was still scared, but everything seemed normal.

    “I’m going home now. You can come if you want.” Tim, without hesitation started back up the trail. Cassy, frustrated with his sudden change in behavior, huffed but reluctantly followed anyway. As they reached the edge of the woods, she thought she saw something moving in the shadows. She brushed it off as her imagination and they made their way back to Tim’s house.

    With her hands in her pockets, Cassy pouted, “So what do you want to do now?” Tim sighed. “I don’t know. I kinda just want to go home.”

    “We could look at the stars! I can show you where the North Star is.” Tim looked up at her. “Really?” Cassy smiled. “Yeah, sure! Look up there.”

    She pointed at the sky. “You see the Big Dipper? Above it is the little dipper, and that’s it right there!” Tim looked up with wide eyes. “Wow. That’s so cool.”

    They spent a little more time looking at the sky until they had to go home. Cassy waved at Tim. “I’ll see you tomorrow.” He waved back.

    “See ya.” Tim didn’t realize how dark the street was until he was alone. Fear started to creep up his spine. Then he noticed the street light had gone out. He looked around, but it was too dark to see anything. Tim looked up at the stars. They made him feel a little better, but all he wanted was to be home.

    He heard a sound come from the woods, and immediately broke into a sprint. He ran towards his house. It was right there at the end of the street. He’d be home in no time. Just a little father.

    Tim’s front door opened. His mother poked her head out.

    “Tim? Tim where are you honey?”

    He was usually home by now. She walked out onto the street, and looked around. There was no sign of him, or anyone for that matter. She went back inside to call Cassy’s mother.

    “Hello, Margaret? Is Tim over there? No? He hasn’t come home yet, and I’m getting worried. Okay, thank you.”

    The next day there were police cars outside of their house. Cassy’s mother told her Tim never came home last night.

    “What? But I just saw him.” “I know sweetheart. They’re going to look for him. Be careful, and if you see anything let us know.”

    She couldn’t believe it. How could he be gone?

    The police searched the woods, but there was no sign of him. The town was in shock, and the residents began to lock their doors, and a curfew implemented; they were afraid of what may be lurking in the woods.

    That night Cassy was looking out her window. She started thinking about Tim when she saw The North Star.

    “Why does it look brighter tonight?” She turned her gaze to the woods. Cassy couldn’t shake the feeling that she had saw something.

    “What was that? She looked closer, but nothing was out of place. Cassy started feeling guilty for not listening to Tim’s fears. She knew deep down that the darkness in the woods had claimed another victim, and she vowing to herself to never enter the woods again.

    In the morning, she went outside to play with the other kids. They wanted to go in the woods, but Cassy wasn’t so sure.

    “Guys I don’t think that’s a good idea.” Josh dribbled his basketball. “We could always shoot some hoops.” Rosy rolled her eyes.

    “That’s all you ever want to do. I want to go to the woods. Gabe will you please back me up.”

    “The woods do sound fun guys.” Cassy was nervous, but she decided to go along with it. It was better than being alone.

    They played hide-and-seek. Luckily they stayed pretty close the street, Cassy thought. “Come out come out wherever you are!”

    Rosy looked behind trees and bushes, but still couldn’t find anyone. She called out.

    “Okay guys I give up!” They still didn’t come out. “Guys? Hey, come on. I said I give up!”

    Rosy had gone farther into the woods than she thought. That was when it started to get dark. Rosy realized the shadows of the trees were stretching across the ground. She was getting nervous which made her lose her sense of direction. She spun in circles looking for her way back.

    “Guys! Where are you!”

    It seemed to get dark much faster than a usual day. Rosy finally found a boulder that looked familiar, and she made her way back. She kept looking around which made her more nervous as time went by. It felt like someone was watching her. She turned around, and saw a man duck behind a tree. That was when she started running.

    “Rosy! Where are you!”

    It had taken Rosy longer than usual to find them. They came out after a while, and she was nowhere to be found. They looked everywhere, but they still couldn’t find any sign of her. The sun was getting low so they decided to go back to they street. Maybe she was there.

    Gabe called for her.

    “Rosy! Where are you! Guys I’m really worried about her.”

    Josh looked up at the sky. “Guys the sun’s going down soon. We can’t look for her forever.”

    They were about to give up, and tell Rosy’s parents they couldn’t find her when she ran out of the trees.

    “Guys! Where were you!” “Rosy! We looked everywhere for you!”

    She was breathing heavy from running. “There’s someone in the woods! We should get out of here.”

    They all ran to Rosy’s porch. Gabe hugged her, and asked if she was OK.

    “No! I just got chased through the woods by something!” Cassy grabbed her arm. “Rosy. Listen to me. What happened? What did you see?” Rosy took a heavy breath before telling them everything. They all agreed to stay out of the woods, and close to their homes. Later, Rosy was laying in her bed. She heard a scratching sound at her window, when she peered outside, she saw the silhouette of the shadowy figure she had seen in her nightmares. She screamed and ran to her parents’ room, but they found nothing outside.

    They just locked her window, tucked her in and placed a blanket over her head. Rosy began to have nightmares, in which she saw a dark, shadowy figure stalking her through the woods. The figure had no face, but she could feel its malevolent gaze upon her. The nightmare became more terrifying, and she couldn’t shake the horror. Once she was in this deep sleep, the lock turned, and her window opened.

    The next morning the other kids saw more police cars, but this time outside Rosy’s house. They all gathered outside staring. Josh looked at the other two.

    “What do you guys think happened?” Cassy looked around. “That thing from last night must have gotten her.”

    Gabe kicked a bottle that was laying on the ground. “What are we going to do? We’re not even safe in our own houses!” All three of them decided to go to Josh and Gabe’s house. “Since we have bunk beds we can watch out for each other, but what about you Cassy?”

    She looked at them and shook her head. “I don’t know. We should have a sleep over so we can stick together.” Cassy ran home to asked her parents about the sleepover, but they said no. She called the boys to tell them she wasn’t allowed to leave the house anymore. They said their parents told them the same thing; with everything going on all the parents wanted to keep their kids home and safe.

    That night the boys were playing video games when Josh saw something. “Hey, what’s that?” They looked up at the sky. “Man that star is really bright. I don’t remember it ever looking like that.”

    Something moved in the corner of Gabe’s eye as they were staring out their window. “Josh. I saw something.” “What? What did you see?” “Oh my God! It’s Rosy! We gotta go get her!” Josh tried to grab him, but he was too fast. He ran outside, and made a beeline for the trees.

    “Gabe!” Josh didn’t know what to do. He stood in the doorway for a second before running after his brother. “Rosy! Rosy where are you!” She was ahead of him running between the trees. She led him deeper into the woods. He lost track of her, and when he slowed down he realized he was lost.

    Gabe had never been this far out before. He called for Rosy again, and then he called for Josh. There was no answer. He tried to find his way home using the light from the stars, but nothing looked familiar. It was so dark. He chose a direction, and started walking. Josh had been running through the forest too.

    He barely kept up with Gabe, and it wasn’t long before he lost track of him. Josh heard his name being called, so he ran towards it. He got closer to the sound when it suddenly stopped. “Gabe! This isn’t funny! Come back!” He walked around looking for any sign of him. Josh heard a twig snap behind him. He whipped around to see a shadow in the trees. He moved closer to the it when it stepped out in front of him.

    As the days passed, in addition to the twins disappearance, more and more strange occurrences began to happen in the town. People reported seeing shadowy figures lurking in the woods, and strange noises were heard at night. The residents were on edge, and many feared for their safety. While Cassy had a feeling that she was being watched, some evil presence and a shadowy figure following her wherever she went. She knew that she had to do something to stop it before she was its next victim.

    Cassy’s parents told her she wasn’t allowed to leave the house, mainly because no one knew what was going on, terrified Cassy even more. Why was everyone disappearing? She needed answers. There was one thought that sent a chill down her spine. She was next. She didn’t know what to do.

    The only thing she could think of was to grab a kitchen knife to hide under her pillow. She locked her windows, and tried to tie a rope around them for extra security. Cassy decided she was going to stay up all night. She sat on her bed holding the knife as the sun set.

    The moon was high in the sky as a light came through her window. Something drew her over. She looked up, and she saw The North Star again. It was so much brighter now. Her jaw dropped. She had never seen it look like that before. Cassy’s eyes went wide. The knife clattered to the floor. She lost control of herself, and opened her door. She stepped into her backyard. A giant shadow stood in front of the tree line. Cassy walked out into the starlight. Her trance led her over to it. It extended its long dark fingers towards her, and she took its hand. It pulled her into the forest.

    Soon after the star grew just a little brighter.

  • The Financial Success of Indie Filmmakers

    The Financial Success of Indie Filmmakers

    The rise of independent filmmakers and how they’re making a big impact in Hollywood. It covers the financial benefits of making indie films, how to get funding, and how to market and distribute your film.

    In the glitz and glamour of Hollywood, it’s easy to overlook the independent filmmakers who are quietly making a big impact in the industry. From Sundance darlings to micro-budget masterpieces, indie films are not only garnering critical acclaim, but also raking in big bucks at the box office. One of the biggest financial benefits of making indie films is the ability to retain creative control. Without the constraints of studio interference, indie filmmakers have the freedom to tell the stories they want to tell, and often at a fraction of the cost of a big-budget Hollywood production.

    But how do indie filmmakers secure funding for their projects? Many turn to crowdfunding platforms such as Kickstarter and Indiegogo to raise money from individual investors. Some also secure funding through grants and film festivals, such as Sundance Institute’s Feature Film Program. Marketing and distribution of indie films can also be a challenge, but with the rise of streaming platforms such as Netflix and Amazon, it’s becoming easier for indie filmmakers to reach a wider audience. Streaming deals can provide a significant source of revenue for indie filmmakers, and in some cases, even rival the box office earnings of Hollywood productions.

    One of the most recent examples of indie films success is Get Out, directed by Jordan Peele, a horror-thriller film that was made with a budget of $4.5 million and grossed over $255 million worldwide. Another example is Moonlight, directed by Barry Jenkins, a drama film that was made with a budget of $1.5 million and grossed over $65 million worldwide. These examples show that indie films can be both financially and critically successful. As the film industry continues to evolve, it’s important to recognize the contributions of indie filmmakers and their ability to challenge the status quo and bring fresh perspectives to the big screen.

    While the road to success in Hollywood is never easy, indie filmmakers are proving that with hard work, perseverance, and a bit of luck, it’s possible to make it big in the film industry on your own terms. These Hollywood’s Hidden Gems are shining brightly and it’s worth paying attention to.

  • The Art of Investing, Boost Your Portfolio

    The Art of Investing, Boost Your Portfolio

    Here we explore the world of art investment and how it can be a savvy financial move for those looking to diversify their portfolio. We delve into the process of buying and selling art, the most profitable art genres to invest in, and how to properly care for and store your art collection. Now investing in fine art may not be the first thing that comes to mind when building a financial portfolio, but it could be a smart move for those looking to diversify their investments. Not only can art provide aesthetic pleasure, but it can also appreciate in value over time.

    While the process of buying and selling art can seem intimidating, it’s really not as complicated as one might think. The art market includes auction houses such as Sotheby’s and Christie’s, as well as galleries and art fairs as well as independent deals. But it’s important to do your research and become familiar with the artist and the market before making a purchase.

    One of the most profitable art genres to invest in is contemporary art. This includes works created by living artists, and tends to have the highest appreciation potential. However, other genres such as Impressionist and Old Masters can also be a sound investment.

    Once you display that yellow Basquiat in your kitchen corner, properly caring for and storing your art collection is also crucial. This includes maintaining a stable temperature and humidity, as well as protecting the artwork from sunlight and pollution. It’s also important to have your art appraised and insured to protect against damage or loss.

    Some investors may choose to hold onto their art for the long-term, while others may choose to flip it for a profit. Regardless of the strategy, investing in fine art can provide a unique opportunity for diversification and potential appreciation. However, as with any investment, it’s important to do your due diligence and understand the risks involved. The art market can be volatile and prices can fluctuate greatly. It’s also important to remember that art is not a liquid asset and it may take time to find a buyer.

    Despite these risks, investing in fine art can be a rewarding experience, both financially and aesthetically. As the famous art collector Peggy Guggenheim once said,

    I have bought pictures because I liked them, but I have always been careful to buy only those I could afford, and I have never bought a picture as an investment.”

    By approaching fine art investments with both a discerning eye and a strategic mind, you can make a wise choice that aligns with your financial goals and personal taste.

  • Discovering the Power of Heroes and Their Influence on My Journey

    Discovering the Power of Heroes and Their Influence on My Journey

    Throughout my life, I have been fortunate to encounter individuals who have had a profound impact on me, and whom I consider my heroes. These individuals have played a critical role in shaping who I am today and in guiding me on my journey through life.

    One of my earliest heroes was my grandfather. He was a man who lived by the mantra “Work hard, play hard.” He spent his days toiling tirelessly on his farm, but always made time for his family and friends. He taught me the value of hard work, perseverance, and the importance of balancing work and play. To this day, I think of him every time I am faced with a difficult task, and I remember his determination to always push through and get the job done.

    Another hero of mine is Malala Yousafzai. Her courage and determination in the face of adversity to fight for education for girls in Pakistan is truly inspiring. Her story has taught me that even one person can make a difference and that we should never give up on our beliefs and values. Her efforts have shown me that when I stand up for what I believe in, I can make a change, no matter how small.

    My mother is also a hero of mine. She is one of the strongest individuals I know, and has always been a constant source of support and encouragement throughout my life. She has taught me the importance of family, love, and dedication. Her unwavering support has given me the confidence to believe in myself and my abilities. I am eternally grateful for her guidance and mentorship.

    Lastly, I would like to mention my favorite author, J.K. Rowling. Her Harry Potter series has had a transformative impact on me. The series taught me to never give up on my dreams, to always be true to myself, and that the power of love and friendship can conquer all. Her books have also taught me the importance of storytelling and the power of imagination.

    All of these heroes have played a significant role in my life and have greatly influenced my journey. They have taught me the importance of hard work, perseverance, courage, and the power of love and friendship. Each one of them has helped me to become a better person and has encouraged me to reach for my own greatness. Their examples have inspired me to make a difference in the world and to be a hero in my own right.

    In conclusion, heroes come in many forms and shapes, they can be family members, friends, or even strangers. They can teach us valuable lessons and can influence our journey in ways that we cannot even imagine. They can inspire us to be better and to strive for greatness. I am forever grateful for all the heroes in my life, and I will always carry their lessons with me as I continue on my journey.

  • Don’t Stop Believing: A Guide to Managing Opportunities and Avoiding Burnout

    Don’t Stop Believing: A Guide to Managing Opportunities and Avoiding Burnout

    Don’t quit your daydream

    Pursuing a career in the entertainment industry can be challenging, but it is also incredibly rewarding. Many people may be tempted to give up on their dreams and settle for a more traditional 9-5 job, but this could be a mistake. The entertainment industry is not only a way to express oneself but it also offers the opportunity to inspire others and make a real impact on the world.

    One of the biggest reasons to never give up on a dream of pursuing a life in entertainment goes behind the potential for success. Yes, actor and comedian Steve Carell worked as a mail carrier for nearly a decade before he landed his first acting gig on The Dana Carvey Show. And since then, he has become one of the most recognizable faces in Hollywood, with a successful career in both television and film.

    The you have Oprah Winfrey, who started her career as a local news anchor before becoming a talk show host and media mogul. Her story is a testament to the fact that it’s not only about the final product but also about the journey and the ability to inspire others to pursue their dreams.

    Did you know that Pharrell was a mailman before he became a successful musician, record producer and fashion designer. He is a living proof that pursuing a career in the creative industry can bring incredible success and financial stability, as well as personal satisfaction.

    It’s important to note that success in the creative industry is not always immediate and it can be a long and winding road. But the rewards of following your passion and creating something that is truly meaningful are immeasurable.

    In conclusion, pursuing a career in the creative industry may be challenging, but it is also incredibly rewarding. These examples of celebrities who quit their 9-5 jobs to pursue something creative, serve as a reminder that success is possible if you never give up on your dreams. The creative industry is not only about the final product but also about the journey and the ability to inspire others to pursue their dreams. So, don’t quit your daydream, and chase after your creative aspirations.

  • The Fine Line Between Saying ‘No’ and FOMO

    The Fine Line Between Saying ‘No’ and FOMO

    How to Prioritize Your Goals

    As a creative, it can be all too easy to get caught up in the constant stream of opportunities that come our way. From new projects to collaborations, it can feel like saying “yes” to everything is the only way to stay relevant and ahead of the game. But, as we all know, saying “yes” to everything can lead to burnout, unfulfilled promises, and a lack of focus on our true passions. So, how do we navigate the fine line between saying “no” and fear of missing out (FOMO)?

    First and foremost, it’s important to have a clear understanding of your priorities and goals. Before committing to any new opportunity, take a step back and evaluate if it aligns with your overall vision and mission. By having a clear understanding of what you want to achieve, it will be easier to say “no” to opportunities that don’t align with those goals.

    Another important factor to consider is your capacity. As creatives, we often have a tendency to take on more than we can handle. It’s important to be realistic about the time, energy, and resources you have available and to not overextend yourself. Saying “no” to an opportunity may be difficult in the moment, but in the long run, it’s better to do a few things well than to spread yourself too thin and not deliver on your commitments.

    It’s also crucial to remember that saying “no” to an opportunity doesn’t mean it’s gone forever. Sometimes, it’s just not the right time for a particular project or collaboration. Keep an open mind and don’t close the door on opportunities that may come back around in the future.

    Finally, it’s important to embrace the power of “no”. Saying “no” to an opportunity doesn’t make you less of a creative or less ambitious. It’s about setting boundaries and protecting your time, energy, and creativity. It’s about being selective and intentional about the opportunities you take on, and making sure they align with your priorities and goals.

    In short, the fine line between saying “no” and FOMO can be challenging to navigate, but by understanding your priorities and goals, being realistic about your capacity, keeping an open mind, and embracing the power of “no”, you can make strategic decisions about the opportunities you choose to pursue.

  • Think Positive: A Guide for Creatives to Overcome Negative Thoughts

    Think Positive: A Guide for Creatives to Overcome Negative Thoughts

    Strategies for Overcoming & Mastering the Mindset for Success

    Creatives are known to be highly imaginative and intuitive, but their craft can also come with a heavy load of self-doubt and negative thoughts. The constant pressure to come up with new and innovative ideas can lead to feelings of inadequacy and frustration. But, just like any other profession, they can take steps to overcome these negative thoughts and unlock their full potential.

    The first step in overcoming negative thoughts is to recognize and acknowledge them. It’s easy to get caught up in a spiral of self-doubt and criticism, but it’s important to remember that these thoughts are just that – thoughts. They don’t define who you are as a person or as a creative. By acknowledging them, you take away some of their power and can begin to take control of them.

    Next, it’s important to challenge these negative thoughts. Often, the thoughts that hold us back are based on false assumptions or beliefs. Challenge these thoughts by asking yourself if they are true or not. Are you really not good enough? Is your work truly not worthy of recognition? Chances are, the answer is no. By challenging these thoughts and recognizing that they aren’t true, you can begin to let them go.

    Another effective strategy is to practice mindfulness and focus on the present moment. When we’re caught up in negative thoughts, we’re often dwelling on the past or worrying about the future. Mindfulness allows us to be fully present in the moment and observe our thoughts without judgment. This can help us detach from them and see them for what they are, rather than getting caught up in them.

    Additionally, it’s important to have a support system in place. Surround yourself with people who understand and support your creative endeavors. This can include friends, family, and other creatives in your field. They can provide valuable feedback and encouragement, and can help you maintain perspective when you’re feeling down.

    One can also find inspiration in other forms of art and media. Inspiration can come from various sources and it’s important to keep an open mind. By exposing yourself to different art forms, you can gain new perspectives and be inspired to create something new and unique.

    Finally, take time to celebrate your accomplishments and successes, no matter how small they may seem. It’s easy to get caught up in the negative thoughts and forget about the positive things that have happened. Recognize your achievements, and remind yourself that you have the capability to create something great.

    In conclusion, negative thoughts are a common part of the creative process, but they don’t have to hold you back. By recognizing, challenging, practicing mindfulness, having a support system, finding inspiration, and celebrating your successes, you can overcome these thoughts and unlock your full potential as a creative. Remember to be patient with yourself and know that it’s a process. And most importantly, don’t be too hard on yourself, we all have moments of self-doubt, it’s all about how we choose to deal with it.

  • A Major Transcendent Transformation

    A Major Transcendent Transformation

    The Intense Physical and Mental Journey Behind His Role in ‘Magazine Dreams’

    Jonathan Majors has been turning heads at Sundance with his portrayal of a toxic bodybuilding fanatic in Magazine Dreams. The actor has undergone an incredible transformation for the role of a toxic bodybuilding fanatic, with the camera often lingering on his impressive muscles throughout the film. Majors revealed the extraordinary dedication and incredible and sacrifices he made to become the character.

    I’m 6 feet tall. I’m 202 pounds.” “In order to sustain that and to grow that you have to eat as much protein that you weigh. I ate 6,100 calories a day for about four months. That included the pre-work and the post-work of ‘Creed III’.” “The normal bodybuilder works out two times a day,” he said. “I’m playing Killian Maddox… Playing him you don’t fuck around. What ended up happening is I would train two hours, two times a day for the movie and a third time after wrap. Meanwhile, you eat six times a day. Lots of chicken. Lots of elk. That’s just for me. I like it.”

    The actor went on to explain that his intense training regimen was a reflection of the character he was playing.

    The normal bodybuilder works out two times a day,” he said. “I’m playing Killian Maddox… Playing him you don’t fuck around. What ended up happening is I would train two hours, two times a day for the movie and a third time after wrap. Meanwhile, you eat six times a day. Lots of chicken. Lots of elk. That’s just for me. I like it.”

    Despite the intense physical demands of the role, Majors has no plans to slow down.

    I played football in Texas. I got an appetite,” he said. “I really like being physical. I like hiking and running. I’ve got dogs. I’m only 33… I got to do something to stay with it. I don’t work out three times a day anymore. Just once a day.”

    The actor’s dedication to the role was evident in the final product, with critics praising his performance as “transfixing” and “phenomenal”. Majors’ transformation was not just physical, but also mental, as he delved deep into the psyche of a character consumed by obsession and toxic masculinity. The film explores the destructive nature of such obsessions and the cost it can have on one’s mental and physical well-being.

  • Jonathan Majors Shines in Magazine Dreams

    Jonathan Majors Shines in Magazine Dreams

    A Raw and Unforgiving Exploration of Fury and Self-Destruction.

    When a filmmaker sets out to captivate an audience and make a powerful statement, one tried and true method is to craft a pulse-pounding climax that combines the grit of Pulp Fiction with the glitz of Boogie Nights. In Magazine Dreams, writer-director Elijah Bynum delivers just that, with a scene that will leave audiences breathless.

    The film follows the story of Killian Maddox, a bodybuilder portrayed by criminally talented Jonathan Majors, whose obsession with physical perfection and unbridled rage lead to a descent into self-destruction. Majors delivers a powerhouse performance as Killian, becoming a bodybuilder himself for the role, and imbuing the character with a vulnerability and intensity that is truly mesmerizing.

    As Killian’s obsession with achieving the perfect physique takes over his life, he becomes increasingly isolated and violent, turning to steroids and consuming 6,000 calories a day in pursuit of his goal. But despite his rough exterior, there is a gentleness and thoughtfulness to Killian that makes it impossible not to root for him.

    The film explores the destructive nature of obsession and the toxic masculinity that can accompany it, as Killian’s single-minded pursuit of the cover of a magazine like his idol Brad Vanderhorn (Michael O’Hearn) begins to unravel his life. It’s a raw and unflinching look at the dangers of fixating on an unattainable ideal, and the cost it can have on one’s mental and physical well-being.

    Backed by a soundtrack that includes Patti Smith‘s rendition of Because the Night, Magazine Dreams is a film that will leave a lasting impression. Majors delivers a standout performance, it’s a must-watch for fans of powerful and thought-provoking cinema.

  • Chris Cardillo and the Wild West of the Entertainment Industry

    Chris Cardillo and the Wild West of the Entertainment Industry

    Chris Cardillo is a man of many ventures. From running Castle Windows, a successful home improvement business, to being heavily involved in the entertainment industry as a music artist, film producer, and managing partner in the rebranded Coleco.

    In this exclusive #CPTRD interview, Cardillo delves into the world of entertainment and his creative process, sharing insights on how he balances multiple projects, the hardest part of developing other artists, and how Blue Curacao is his favorite music project to date.

    Cardillo’s passion for the creative process shines through as he speaks candidly about his journey and the importance of having a strong team. He provides a unique perspective on the entertainment industry.

    This interview is a must-read for anyone interested in the creative process, the entertainment industry and the journey of an entrepreneur.

    Sam Morrison: You have Castle Windows, but what in the entertainment industry do you find the most fulfilling: music, film, or the rebranding of Coleco?

    Chris Cardillo: Wow, I love all these things, so that is a very hard question to answer.  If we are setting the window business aside and speaking of entertainment only, I would say that the most fulfillment I get is during the creative process. Film captures that essence the most.; completing a scene you know that you’ve effectively transferred an emotion and delivered the scene in a believable way, gives you chills.  

    SM: How do you decide which venture you’ll be devoting your time to?

    Chris: My energy is focused on the home improvement business where I have an obligation to my clients. For those that have worked on projects with me know, I will work long intense periods of time at the home improvement company. Once things are set in motion on a sustainable level, I can switch gears and focus on a project from time to time. Projects like movies usually have a defined beginning and end. 

    I’ve found that I can work on a project intermittently for up to two weeks before engaging in an intensive work session. I can work on the budgeting and project management and line production in the evenings while typically I try to complete most of my creative physical work during Castle’s off-season. However, the real ‘Wizard behind the curtain’, is that  I have a tremendous support staff both on my creative projects and at my company. It takes an army of people to create a movie or even an album. I’ve been able to surround myself with other people who have a vested interest in shared creativity. Without that support staff, projects would not be finished.  

    SM: Would you consider yourself a serial hobbyist or an entrepreneur?

    Chris: When it comes to collecting toys and games, I am strictly a serial hobbyist. Music, Coleco, and film are on the entrepreneur side of things with well thought out business plans and anticipated returns.

       

    SM: Correct me if I’m wrong, but I believe I’ve been involved in the making of all your albums, but your last project, Blue Curacao, is where you took things to the next level, from the music to the album cover and music videos. You would say Blue Curacao is your favorite music project as a whole?

    I would say so. I think that it is the project in which I became a true artist – a project where I deeply connected with the music and lyrics and developed the project from the heart.  I definitely took my time with each song and pushed myself to do things in the booth that I didn’t know that I was capable of doing. I spent a good bit of time working alongside song writers to capture the essence of each song. With songs that have meaning, the visuals (videos) come naturally. 

    SM: Will you be putting out another album or will you relaunch your record label Jersey Mint and develop other artists?

    Chris: Albums usually start with a spark of a new idea for a song. I will lay down a few songs to experiment with different sounds and styles. After a number of attempts, something will just sound like a direction that we want to go in and then a project is born.  I’m not opposed to jump starting Jersey Mint, but it would look more like an umbrella entertainment company than a record label.   

    SM: What is the most challenging aspect of developing other artists as compared to releasing your own music? 

    Chris: Marketing Direction.For the most part, I give very liberal reins with creative control in the music itself.  I’ve been to a number of meetings where the label wanted to ‘package’ me.  The best artists deliver a product that they have a passion about.  So, I never wanted to box an artist in.  When it comes to marketing, promotion and performing, I feel as though that’s where the team should take over.  I have been in a number of projects where there is a difference in understanding on what is needed from the artist at that point.   

    SM: I’m sure you get bombarded with music and film investment queries, myself included, so from a financing perspective, do you have a criteria on how you decide what projects to get involved with?

    Chris: Yes, quite a bit.  I haven’t ever taken on an unsolicited movie project.  In order for me to work with someone on a project, I have to know them and have seen them physically work on a prior project. Deciding to take on a film is an enormous undertaking, and it’s hard enough to complete a project when everyone starts off on the same page. I have to see your work ethic and know that you are committed to completing the project. 

    SM: We be collaborated on the feature film Second Chance City in last year where you made your debut as a director. What made you zero in on this project for a directorial debut?

    Chris: Man, where do I begin. For starters, the script is a masterpiece and has already won ‘Best Screenplay” in the Los Angeles Independent Film Festival. I have always wanted to be involved with a movie that was a social drama or socially relevant. I felt as though I could empathize with the characters. Initially, I wanted to audition for one of the leads, but felt as though the story would be told better with a different actor. This is a story that I want to tell and I trust myself in the ability to draw out the emotions and feelings that I had when first reading the script.  

    SM: You’re also a huge toy collector, can you walk us through your collection?

    Chris: I am what’s called a ‘completist’ by nature.  I attempt to collect the entire checklist of items in its given series. My favorite toy to collect is G.I. JOE. I am the only person to ever collect a complete run of the line graded. This is every figure graded and sealed in its original package, every vehicle and play-set in its original package and every card variation thereof.  G.I. JOE is a significantly large toy line and this was roughly 800 – 900 pieces.  

    Currently I have 3 Graded USS Flagg Aircraft carriers with 1 unit waiting to be graded and 3 Defiant Space Craft and 1 unit waiting to be graded. My last sealed acquisition of a Defiant was the original unit given to the designer which was featured in the TV show, Toys that Made Us. When I picked up the toy, I was able to interview the designer and I hope to release that interview soon. 

    Unfortunately, the majority of my collection sits in temperature controlled storage units.  Collections like this take up a LOT of space. I hope that one day I can pick up a nice sized building to display everything. I, along with James DeSimone, am co-author of Collecting and Completing your GIJOE figures. This is considered the bible of Joe collecting. Copies are still sold daily throughout the world and this is one of the best selling projects I have been a part of. 

    I was the first to publish a visual collector’s guide of collecting sealed or boxed Nintendo (NES) games. I completed this project with Tim Atwood who is a legend in game collecting.  There have been tons of books dedicated to Nintendo games that are very nice, but ours was the very first. Needless to say, I collect sealed and loose video games from Nintendo, Atrari and ColecoVison. I collect the ColecoVision consoles both sealed and loose.

    I collect a number of lines including Air Raiders, Robotech, Legion of Power, and the list goes on.  I collect production animation cels that were used in the making of such cartoons. I began collecting PSA graded baseball and football cards around 2008. Right now, I am into the restaurant retro – I guess since there is no existing name for what I am doing. I recently acquired a complete McDonald’s playground set from the 1980s and I have been collecting vintage pizza hut pieces.  I’m also hunting large vintage playground pieces.  Right now I am trying to locate a playground piece called a ‘Moon House’ designed by Jim Miller-Melburg.  

    SM: What aspect of your collection is likely to generate the most skeptical reactions from others??

    Chris: I actually feel as though I have great support from the people around me. Somehow I avoid the label of a toy nerd. However, if there is one thing that people question it would be ‘army building.’ I may have literally thousands of one figure. Multiples are not that odd of a concept with action figures, but I will randomly zero in on say five items in a line. I extend this to other areas of collecting. Maybe I buy every Zelda NES game that I come across. I do the same thing with graded sports cards.    

    SM: Did your passion for collecting lead you to become involved with Coleco, or was it purely a financial investment opportunity??

    Chris: Coleco was based on a financial investment. I’ve written articles on the life cycle of retro collectibles and I knew that 80s retro would make a strong comeback at the time. I was able to enter the market at the exact right time.

    SM: What is the current status of Coleco? There were previous discussions about the Chameleon but it never came to fruition, what is planned for the future?

    Chris: We are busy making licensing agreements. Not a week goes by that someone wants to work on some project or another. Since the termination of the Chameleon contract, we have resurrected the mini arcades and that project has been subsequently picked up by Arcade 1 Up. We held our own Coleco Expo. We were able to work with a Canadian company who created an FPGA based console where Coleco would guarantee the short runs on their system in exchange for a private label. Thus far, we have delivered on everything that we have promised. I do have a punch list of what is to come next but I’m holding it close to my vest this time. Since the first Toy Fair, I have seen a number of my personal ideas on the toy shelves by companies that I directly spoke to and I refuse to make that mistake a second time.  

    SM: Coleco is a brand from the 80s that has a dedicated fanbase. How do you cater to both the retro brand loyalists and the next-generation consumers? Or is that a strategy you are pursuing?

    Chris: Retro is in and I think that it is here to stay.  In order to bridge the gap, we have to market our product to adults who remember our brand with the goal of having them share those products and technology with their own children. Our Blue Ocean strategy with the Expo was to cater to families as opposed to the same ‘old-guy’ retro market that most companies were targeting at the time. I personally demand that all of our products are family friendly or as I like to describe them Disneyesque.  

    SM: In our previous conversation, we discussed the launch of Coleco Entertainment, a venture that would involve creating films and television shows based on intellectual properties from comic books, video games, and toys. Will Coleco Entertainment see the light of day?

    Chris: This would be something that you may see as a licensing agreement. We are currently having talks with three different content creators on this matter. I am sure that you will see something, but I definitely cannot speak on it at this time. I will tell you; however, we are working with Mariano Nicieza and APEX to bring fans a new Colecovision comic line that includes comics based on Cosmic Avenger, Venture and Pepper II.   

    SM: What would be the first Coleco IP you would adapt into a film? 

    Chris: Actually, I would like to adapt the company itself, or the resurrection of it. There have been a number of scripts that have been written where one of the characters works as chairman of Coleco. I have had one script idea called Joe White, where Joe White is a trust fund baby who must work on a project in order to gain his inheritance. He has seven workers who brainstorm on resurrecting an old retro line that happens to be a Colecovision. Of course, each of the seven workers has a different personality: one of them is sleepy, one of them is grumpy and so forth.  

    SM: Who emerges victorious? J. Fontaine the music artist, Chris Cardillo the filmmaker, the toy and gaming entrepreneur or do you find a way to wrangle in the time and continue with all these ventures?

    Chris: Much to the dismay of my publicist, I don’t view myself as three people, but three dimensional. I try to follow my own team’s advice on how to differentiate the three.   Although, from my own perspective, I am just doing what comes naturally to me. When people ask me what I do, I have a hard time with that question.  People often confuse ‘who they are’ with ‘what they do for a living’.  

    In terms of success, I would say that the entrepreneur thus far has been victorious, and that would only change if a movie or project suddenly gained some world wide attention or cult following  But even if that were to happen, I would be pulling up to my same office Monday morning ready to work on some home improvement contract.  In short, much like the Breakfast Club ending, you see me how you see me.

    It’s clear that Chris Cardillo is attempting to be a creative force in the entertainment industry. With his ability to balance multiple projects as well as his insights on the importance of passion, support, and marketing direction in the entertainment industry are valuable for anyone looking to make a career in the field. His journey is a testament to the fact that with hard work, dedication, and a strong support system, anything is possible. It’s exciting to see what’s next for Chris Cardillo and his ventures in the entertainment industry.

    You can follow him on Instagram